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Three good news

The first good news is that I'm not dead. But I went mooooooolto close as ten days ago, I have presented the four horsemen of the apocalypse in the guise of the most devastating form of flu that I've ever experienced in the last 20 years. I've dealt with firmly lying on the couch shots of delicious drinks made with ketoprofen and slept on average 18 hours on 24. Now is fine. I just have to recover those 3 or 4 pounds of muscle mass strappatami via bites from those four bastards.

The second good news fills me with pride because his father, Ladies and Gentlemen, I am touched and happy at this moment, announcing that the mild Ravenstock Ford is a candidate for the prize Micheluzzi the best realistic comic book series!
Your favorite little suicidal will have to deal with that face of bronze face concealed, that hoodoo by David Murphy, of the haughty and the arrogant Lilith Julia.
If you think that, given the names competing for the category, it is more likely to be affected in the head by a meteorite while you're taking a shower rather than to win the prize Ravenstock know that I think exactly like you.
Nevertheless I am very happy! If you feel that
Ravenstock can blend in as a group could do a Swedish porn star in a convent of Ursuline know that I have the same impression. Even
Despite this I am very happy!

What makes me happy and proud of this nomination is that Ford was considered a comic realistic. not humorous. A this thing too long and tedious to explain at this moment, I would like very much. Maybe one day I'll make a post in which I elaborate on the differences between comics and humorous realistic and explain why I do not see any way in my drawing as a kind of humorous.

The third good news is that my formidable and cazzutissima agent for France, a woman whom I admire and love you with all your heart, has finally gone live with a site-blog for the authors:
http://www.camilla-patruno.com
Now I can be troublesome even beyond the Alps.
Hurrah!

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now they also know how the stones in the ground at this time I'm working on "Hell".
Inferno will be published in France by Editions Casterman KSTR for the line.
of "hell" when you do not expect an Italian edition. Then maybe you will find that some Italian publisher interested in publishing it is shown on national territory, but for the moment, of course, still do not talk.
"Inferno" is part of a series of projects that Susan and I have put before in France, a series of Italian publishers, getting half of them vague answers and the other half not receiving any response .
So please let them go to hell all those who are there ready to spit out judgments on France and the French. The French market right now can live with dignity in a good quarter of the Italian authors. Including myself.
If you want to publish your work life and staying in Italy you have to work for Disney or Bonelli. Point.
Sure, you can work for small publishing houses made of people who have passion and that the non-Disney cartoon / Bonelli investing time money and effort but you are not sure that this work would allow you to get not only the end but even in the middle of the month.
All this was to say that France (and to some extent, even the United States, but this is a another matter) right now is saving the Italian comic strip comes from a complete mainstream.
So next time you think how good that author (perhaps acclaimed) or not Bonelli Disney have the foresight not to be so deficient to add something offensive or cute little against France, because it is thanks to France that author that you can afford to read his stories. Fuck.